Royal 70 Surf Havana Cuba
A Cuban collective creating opportunities for Cuba's youth with extreme sports, music and art.
This article originally appeared in Huck 15 – The Maya Gabeira Issue from summer 2009. As relations thaw between Cuba and the US, and talk of lifting the blockade is in the air, Huck is thinking about how the blockade has affected young people and how their lives will change if it’s lifted. In this archive piece from summer 2009, we headed to Cuba to uncover the island’s underground surf scene. Cuban surfers are among the most dedicated in the world, risking imprisonment to find materials and relying on donations from foreigners to get boards and leashes. Never mind the blockade. Psssst, psssst…” Eduardo Valdés, head of the Asociación de Surfistas de Cuba, looks uncharacteristically shifty as he peers through a wire fence, trying to attract the attention of a worker at Cuba’s national plastic factory. It’s here that the island’s chairs, tables and packaging are produced and employees, like in every industry in Cuba, supplement their meagre wages by selling the materials of their trade on the black market. Pretending to take a cigarette break, a man sidles up to the fence three metres to the left of Eduardo. Looking in opposite directions, a rapid-fire exchange takes place. “What you want?” “Three bottles of resin.” “45 CUC.” “No way, man. 30.” “40.” “35.” “Wait for me outside the bar around the corner. Give me thirty minutes. I need the money now.” Forty tense minutes later and the worker appears clutching a flimsy plastic bag containing three cylindrical […]
“You cannot stop the waves, but you can learn to surf” – Jon Kabat-Zinn This may not be one of the worlds greatest surfboards but it is one of Cuba’s first hand-shaped glass surfboards. Shaped with recycled foam from old freezers/refrigerators with a cheese grater, this board was then finished with glass and resin sourced on Cuba’s black market from boat builders in Havana. A first step for Cuba’s surf culture and future in true Cuban style.